Showing posts with label pattern. Show all posts
Showing posts with label pattern. Show all posts

Wednesday, January 13, 2016

Design Challenge 2016

I felt so good about reentering the pattern publishing game that I decided to challenge myself this year to keep designing, writing, and publishing! I wanted something that would stimulate my creativity, and keep me motivated, productive, and on schedule. I wanted to make sure it would be fun, and exciting, and not feel like a chore, and that by the end of the year I would feel like I've really grown as a designer and earned a lot of practical experience. Earning a little money wouldn't hurt, either.

I Googled for a while but couldn't find anything even remotely close to what I was imagining. All my results were either KALs (knitalongs) or design contests. So, I simply made one up on my own. Perhaps someday other people will use it!

I started with the Ravelry pattern browser filters for inspiration. There are five main categories of items: Accessories, Clothing, Home, Toys and Hobbies, and Pet. There's a sixth category, too, called Components, which is a sort of catch-all for appliques, blocks and squares, charts, tutorials, etc. I decided to ignore this one for now and focus on the first five.

I would like, by the end of the year, to have one pattern available for sale in each category. This means either coming up with a completely original design, or using something completely original that I've already knit in the past, and writing out a full pattern for it, complete with photos, editing and formatting it, and listing it on Craftsy and Ravelry. I haven't decided yet if I'll have all of them test knit first. The clothing one I probably will, because any good clothing pattern should be available in multiple sizes. But I may not have enough time to have them all tested.

so damn cute
I've already selected my item for Accessories - a crazy cute fox hat that I knit for the craft fair. It didn't sell that day, so I have it on hand to study closely, which is fortunate because I didn't write any of it down while I was improvising it! I also have no idea what brand yarn I used, so I'll have to do some retroactive yarn hunting to figure that out, or at least get close enough.


Here's a peek at my brainstorming for the other categories:

  • Clothing - probably a shrug or bolero. Keep it simple. A complicated pullover could take you all year just by itself! I'm thinking a square lace back knit in the round, with added sleeves and collar.
  • Home - Hmmm so many possibilities! Cafe curtains for the kitchen? Throw pillow? Nerdy coasters? I'm the least decided on this one of any category.
  • Toys and Hobbies - Could be a stuffed animal, but I'm leaning towards creating another dice bag! They're so fun! And I got inspired and went a bit nuts sketching out some steampunk fairisle ideas. 
  • Pet - A small dog sweater that looks like a turtle shell, with a long snood. I don't know where this idea came from but once it was in my brain it would NOT go away. I even made a sketch. I must make this a reality.
Oh! And part of the challenge is that I need to blog regularly about it, at least once a week, partly to keep me on-track and accountable but mostly because I need an excuse to write more often! See you soon!

Saturday, January 9, 2016

An Overdue Resolution

Almost exactly two years ago, a mom in my local parent group commissioned a custom knit hat from me. She sent me a handful of Googled pics of what she had in mind, but I wanted to design something original and hopefully, eventually, publish a pattern, so I used her pictures for inspiration rather than to inform a Ravelry search of existing patterns.

She wanted it to be chunky, cabled, and billed. I had fun coming up with something beautifully geometric, texturally rich, and of course, snug and cozy. The bill was an especially exciting challenge as I had never knit a billed hat before and I had to tackle some pretty unfamiliar techniques to get the shape and firmness just right.

Rocking the original commissioned hat in 2014

It took me all of three days to knit that hat and note down the details of what I'd done, and another day or so to flesh out a proper pattern. Shortly after I sold it to her, I realized I would need better procedural photos to include with the pattern, so I started knitting a second hat - the pictures my husband took while I was knitting that extra hat became my smocking tutorial post. I finished the main body of the hat in a day, and set it aside to do the bill and button band later.

Later never came.

By that time, I had found out I was pregnant with Cyrus, I was also working like crazy on getting the Silicon Forest pattern polished and published. More new projects called, my belly expanded, and the 90% finished hat pattern project just sat and sat and sat. And then, naturally, I had the baby, and for quite some time, anything I wanted to do in my precious spare time had to be excruciatingly prioritized.

I knit fewer than two dozen items in 2015 and most of them were for that craft fair at church.

So when 2016 took over, I didn't necessarily resolve to do anything. But I took a good look at what I had left unresolved for too long. And I decided to stop making excuses for the ones that I had no honest reason for ignoring. Like this hat. All in all it took me just over two hours to knit the bill, take the pictures I needed, proof the pattern, and fill out all the listing information to sell it on Ravelry and Craftsy.

Accomplished adult couch selfie!

And now I have TWO patterns for sale. Ha. I'm so legit.

PS: I didn't knit the button band. I didn't need a picture of that. I'll get to it... later...

Friday, March 7, 2014

Copycat Designing

Such a good sport!
A couple weeks ago, mom sent me photos of a coworker in a long, swingy, open-front cardigan and hinted rather strongly that she'd love for me to knit her one just like it. The sweater in question was store-bought, and an exhaustive search of the Ravelry pattern database turned up nothing even remotely similar. This by itself was actually pretty surprising, since the Ravelry collection is massive, comprehensive, and very well indexed, and I've seen similar flowy cardigans all over the place for the last few years. I even own a couple. It seemed inevitable that someone, somewhere, had written a pattern for something that was close enough to be modded with little difficulty. But I found nothing.

It was hard to be disappointed, though, because that meant I got to design it myself! Woo!
One of the super helpful structural photos mom took.
Copycat designing has its obvious advantages.  Since it's not my own original brainchild, much of the designing work is already done for me. There's an existing, wearable example for me to work from. Ideally, I'd be able to get my hands on it, measure it, possibly even deconstruct it, but alas, this particular sweater lives on the far side of the continent. The hardest part then, as far as getting a good replica, will be studying the photos as closely as possible and using everything I know about knitting to figure out, just by looking, what the stitch pattern is and how and where all the shaping was applied. I'll also have to adjust the proportions slightly for a petite stature.

The biggest downside is that this will be almost entirely a labor of love as far as pattern writing goes. Although I'm not exactly stealing a pattern, I am doing my best to reconstruct one from a finished object designed and sold by someone else, and so I think any attempt on my part to sell my copycat pattern would probably amount to plagiarism. Even if it's not exactly illegal, it would be artistically dishonest. But, if I take clear notes, I can at least reproduce the sweater more than once should anyone else want one, which is a much more acceptable route, legally and morally.

Close study of the photos revealed that the texture of the entire sweater, excepting the sleeves, was a 1x2 ribbing made of slip stitch columns and garter stitch. Easy peasy. The sleeves themselves are just stockinette, even easier. The front trim and gore panel in the back are actually fabric sewn onto the knitting. I will have to take a sweater piece with me to the craft store and hunt down the perfect coordinating lace.

Yarn!!!
For yarn, I went with KnitPicks Comfy Worsted in Flamingo. Comfy, as I mentioned in my last post, is one of my favorite non-wool yarns for mom projects. The color, a lovely pale neutral pink, is one that I suggested but never thought she would actually choose. But she did! I ordered 10 balls, thinking that just over 1000 yds would be plenty for this project. But now I'm not so sure I won't need more, which is always a pain in the butt because of the difficulty of obtaining skeins from the same dye lot. I will have to make my decision as soon as possible so that I can contact Knit Picks and see if it's possible to get more from that lot. It took most of one skein to do just the back panel, which is the smallest piece. I expect to use nearly four skeins doing the shawl collar, and the "wings" and sleeves are even bigger. Yipes.

Well, first things first. I figured out my gauge and completed the back panel, which has really cool symmetrical shaping that was fun to figure out with lots of staring and experimental charting.

The back panel. Note the super clever shaping. 
Next, I cast on for the shawl collar. This is going to take a while since it's essentially a short scarf. The weather was absolutely gorgeous today, so I made sure to get cozy outside for a while so my complexion and my stitches could soak up some sun.  More pics soon!

The sun does shine in Oregon.

Thursday, February 20, 2014

Silicon Forest Tunic - Now Available!

The Silicon Forest Tunic is now available for sale in my Ravelry Store!

Here's a preview!


I'm so excited! My beta knitters were all incredibly helpful, and their finished sweaters all look amazing. I've made some pretty serious revisions to the wording and chart layouts and I think I've got a really beautiful, polished product on my hands - soon to be in your hands! Knitter hands! So many hands!

I think I'll take a breather before I break my exclamation point key.

PS - I plan to look into how to sell directly from my blog as well, for those not on Ravelry (silly people), but for now I'm out of nap time and have to go rescue my little model from her crib.

Saturday, February 8, 2014

Because We Really Needed More Snow

It's Day 2 of Portland Snowpocalypse Fashion Weekend!

Today Chloe and I are sporting our lace berets and I've got on my favorite cowl. OK, it's my only cowl. Honestly, I think cowls are weird.



Chloe's beret is knit from Caron Naturally Caron Spa in Naturally (what a mouthful!) from the pattern Sirle by Suvi Simola. The yarn has been discontinued, which is truly a shame because it's one of my very favorite wool-free DK weight yarns, even if it's a bit splitty. Good thing I still have several partial skeins of it in my stash! This beret is a discarded first attempt at the Christmas hat received by one of my sisters-in-law, and even though the brim is a bit wonky, I love it as much as she loves hers!

My beret is knit from Knit Picks Gloss Fingering in Sea Spray from the pattern #24 Lace Beret by Kate Gagnon Osborn. 

My cowl is knit from Knit Picks Chroma Worsted in Mesa and Knit Picks Bare Comfy Worsted. The Bare (undyed) doesn't seem to be available right now, so here's the dyed version of Comfy Worsted. The pattern is the Herringbone Mosaic Cowl by Elizabeth Elliott, published in the Interweave Knits Holiday Gifts 2012 issue.


All this snow will probably be washed away in the several days of rain that is scheduled to arrive tomorrow with warmer temperatures, so I'm happy and grateful to have gotten the chance to take my little girl out in the snow and show off so many of our favorite knits! :D

Friday, February 7, 2014

Snow!?!?

Bust out the knitwear, everyone! It's SNOWING!  In PORTLAND! Imagine that!  Let me take this opportunity to put on a little fashion show for you!


My ushanka is knit from Knit Picks City Tweed HW in Snowshoe (how apropos!) - pattern #7 Cabled Hat by Deborah Newton, appearing in Vogue Knitting Winter 2010/11.

My entrelac scarf is knit from Knit Picks Chroma Worsted in Mesa. Chroma makes the most gorgeous entrelac projects. No specific pattern. I have developed my own method of doing entrelac that uses slip stitch edges and invisible lifted increases for the increase triangles. Perhaps a tutorial for that is in order, too?

Chloe's bonnet is knit from Lion Brand Vanna's Choice in Espresso and Burgundy, and Lion Brand Wool-Ease in Blush Heather. As you know, I test knit this pattern so it's not available yet, but I will link as soon as it is!

Wednesday, January 29, 2014

My Sunshine

Every year since I moved to Oregon, I've gotten to enjoy a unique meteorological phenomenon that I call, rather unoriginally, "February summer." For a week or two, or even three, every February, the sun comes out and temperatures soar well into the high 50's or 60's, until inevitably, the clouds, rain, and arctic chill come creeping back for another few months.  This year, it came a bit early, starting just after the new year, and as of yesterday, we've officially bid the teaser summer of 2014 farewell.

I got to take the photos of Chloe in her new blue sweater while the sunshine still lasted, and I was afraid that once the rain set in, it would be too late for a photo shoot of her in the fairisle bonnet I was test knitting, but it turns out my baby girl is a true Oregonian after all! We went out for a walk in the misty drizzle this morning, and I got some really great shots in the overcast light.




The pattern for this cap is by Nuria Pastor and will be available soon at http://www.bezencilla.com/en.

I also took the opportunity to snap some decent non-phone pics of the chunky billed cap I designed for Tanya. I'm nearly done writing the pattern out, but I'm going to have to knit another one before I can submit this pattern for testing, because I am going to need some good progress pics to illustrate some of the trickier construction points. I improvised some fairly non-standard  methods to get the look I wanted, and I think without photos, the pattern will make no sense to anyone who buys it. :P








Sunday, January 26, 2014

Giving Back

My test request filled up in less than 24 hours! So exciting to know that five people are currently knitting the sweater that I designed for Chloe. Exciting and nerve-wracking. There has already been a bit of confusion with my chart design.

One person is modding the sweater to be a standard length suitable for a boy, and I'm really looking forward to seeing how it works out for her and incorporating the mod as a length option in my pattern! Woot!

In the meantime, a lovely mom new to my playgroup circle has commissioned a chunky cabled billed cap, designed by yours truly. She's sent me some photos to give me an idea of what she's looking for that but the realization of her dream hat is entirely in my hands!  Any commission work is awesome, but when I get to design it myself and maybe even create a new, publishable pattern from it? Score!

shh... work in progress
Simultaneously, I've decided to throw my needles into the ring as a beta knitter myself, and I've volunteered to test knit a nerdy fairisle bonnet for another designer. Yes, it's a tad bit overwhelming to think of juggling it all, but hats are small projects and it's all just so thrilling - I feel like I've really taken the next big leap in my knitting career, from pattern-follower to pattern-maker. It's kind of a headrush.


Friday, January 24, 2014

Intro to Designing

Yeesh, I am terrible at blogging. Sorry. I have resolved to do better.

And I mean that! I made several resolutions this year in the general vein of most people's resolutions - stay fit, eat more veggies, etc. But two of my resolutions were specific to my knitterly self - challenges that seem daunting and even perhaps a little tedious, but which I believe will pay off in so many ways if I can really stick with them!

One - I will stop ignoring this blog. Its little bookmark toolbar button taunts me, but I so often feel that I have nothing interesting to contribute, and even if I do, I've already written it all on some project page on Ravelry, or gone into lengths on Facebook, and I don't want to hash it all over again. But I so admire and adore those women who have truly found their home in the loving, knitwear-ensconced arms of their blog readers. Stephanie Pearl-McPhee! Rachael Herron! Kim Werker! I know I can make this blog into something better. Something not utterly forgettable.

Two, and this is where the rewards involve actual money (needles crossed!), I will publish a pattern. An actual, original design by yours truly. I will be a real designer.  I have dreamed of designing for years but I'm such a neurotic perfectionist that I could never bring myself to actually ask for money for anything I'd just improvised.  But, I've been a stay-at-home-mom now for over a year and a half, and failing repeatedly at selling handknit sweaters and scarves and hats, not because they're bad but frankly because they'e too good, and therefore too expensive for anyone who might stumble across my dinky little Etsy shop.  If I can make a pattern, a pattern that people love and lust after and will happily pay even $5 for, the return on my time and labors will be SO much more.

For over a month now, I have been working on a sweater for my daughter, with the intention from the get-go that this would be my first non-free pattern published on Ravelry. I took extensive notes, charted like a woman possessed, and did ALL THE MATH. SO MUCH MATH. I finally finished the sweater - what was supposed to be a sweater dress but turned out merely tunic-length - this week, blocked it, and took the niblet out into the glorious Oregon January sunshine, and took nearly a hundred photos.


Meanwhile, I have spent hours and hours (I didn't even keep track of how many) writing the pattern to a publishable polish. Creating the charts in a spreadsheet, turning them into images that could be popped into the pattern document. Adding in the photos of niblet in her new sweater. And then EVEN MORE MATH to make a larger sized version, since I feel like a jerkface charging for a pattern that only comes in one size.

And now it's been put out there in my pattern testing group on Ravelry for beta knitting and initial feedback. I am so nervous it's making me kind of ill. What if everyone thinks my style of pattern writing is totally incomprehensible?! I've never written down knitting instructions for someone who didn't live inside my brain! If I have to scrap large parts of it because they just don't make sense to anyone not me, I think I may cry. Or vomit. We shall see.

On the other hand, maybe my testers will think my pattern is genius! They'll tell me its clarity is refreshing, its layout is stunning, its charts are works of graphical spreadsheet wizardry.

One can only hope.





Thursday, June 2, 2011

The Cardigan Challenge

This week, my mom asked me to make her a cardigan for the workplace, something to ward off the chill when the heater isn't working properly, or the AC is working a little too well.  Now, I absolutely love requests.  Especially with an accompanying offer of pay!  But to knit something for mom presents a few unique challenges, first and most important of which is:

1. I can't use wool.  From any kind of animal.  This means not just regular sheep's wool, which comprises a huge chunk of the yarn market, but also alpaca, merino, cashmere, bison, vicuna, etc.  Therefore, I'll have to use plant fibers, silk, synthetics, or some combination thereof.  Synthetic fibers don't block AT ALL, and the majority of them feel like cheap crap against the skin.  Plant fibers are generally stiff and heavy.  Silk is prohibitively pricey, and not particularly warm.  So the first mission is to find a vegan yarn (silk excepted) that is lightweight, springy, soft, and affordable.

Then there are the less difficult challenges:

2. Sizing.  Even if she takes the time to send me all her measurements, I can't try it on her as I go, and she's a couple sizes smaller than me.  I'll have to be very, very careful.

3. Color.  This cardigan has to go with everything, almost literally.  It will live at the office and must coordinate with anything she might choose to wear in a professional environment.  This may not be a real challenge at all, actually, if she picks the color herself.

So here's what I've chosen so far:

The Brompton Cardigan: It's lovely, simple, and the waffle stitch borders will help prevent curling.

Berroco Comfort Yarn: I have one or two other yarns in mind as well, but according to Berocco, this yarn is one of their most popular, and is soft, springy, and warm.  Of course, being a nylon/acrylic blend, it won't block, but hopefully those waffle stitch borders will eliminate or at least greatly reduce the need.

As soon as we figure out a color, I'll order the yarn and cast on.  So excited!

Sunday, March 20, 2011

Baby Fever

Lately, whenever I browse knitting patterns on Ravelry or pattern books in shops, I'm drawn to the baby patterns. I've never had a reason to knit anything for a baby or even a child, but these days it seems like everyone around me is pregnant or carrying around a little one. And the patterns themselves, of course, are absolutely precious. So, when I saw that I had a respectable amount saved up, I splurged on two books:


Now, it's no secret to those of you that know me that I'm, well, a snobby knitter. Unless I'm learning a completely new technique, I refuse to knit anything that has the word "easy" or "quick" in its name, or comes from a book with a similar title. When the people around me see what I've wrought, they won't merely say "Oh hey, you learned how to knit. Neat." Oh no. They will be amazed that human hands could have created such a masterpiece! I seek out the marvelous, the impressive, the maddeningly complex.

It may not come as a shock to anyone that a book full of patterns like that would not sell easily. So I often settle for a book full of "pretty and interesting" with a handful of "sufficiently difficult looking."

A few days ago, I decided to purchase something I'd been lusting after. Until now, I'd been carrying all my circulars, dpns, and notions around the house in the clear vinyl pouch that came with Knit Picks interchangeable set. But really, it was never intended for that kind of duty, and it was just a mess. So I went for the momma of portable knitting tackleboxes:


This is the "Multi-Craft Rack System" by Creative Options, the crafty division of Plano, which makes nearly identical organizers in less girly colors for tools and such. After adding this beauty to my cart, I decided to take a look at the baby pattern books. My friend's daughter is coming up on her first birthday, which was a very convenient excuse to expand my knitting library. I chose the above books because the patterns within didn't look like they could be knitted by just anyone (well, most of them) and because the appeal of that gorgeous vintage look was very strong. Vintage Baby Knits is a collection of actual vintage patterns, adapted for modern terminology, and Vintage Knits for Modern Babies is all new, vintage-inspired patterns. Both are full of irresistibly stylish baby knits, and I'm going to have a really hard time deciding what to make for the little princess!

But I feel comfortable that whatever it is, her mommy will be blown away. :D

Friday, February 18, 2011

Always, Always Learning

A little less than two years ago, I produced my first extremely irregular square of stockinette stitch in baby blue Super Saver, probably on size 10 needles, although now I couldn't tell you for sure. It's still sitting in a drawer somewhere in my craft room; it's boring, it's uneven, and it's made of the crappiest acrylic known to knitter-kind, but I can't bring myself to do away with it. After months of only being comfortable with a crochet hook and one or two failed attempts at having a friend teach me to knit, I finally, one day, just picked up those shiny, chunky Boye straights and made myself swear that I wasn't going to put them down until I had figured this knitting thing out.

Cause, you know, I can do anything!

And eventually, I did. Of course, I used the cheapest yarn I could find, intending to waste plenty of it in the pursuit of this elusive skill. It didn't take me an entire skein to get the hang of it, but given what I've accomplished as a knitter since that determined day, I think it's safe to say I got my money's worth.

The primary reason I learned to knit, in the beginning, was because I loved crochet, and was producing some pretty snazzy pieces with the hooks, but I was irritated that there was this whole other method that I couldn't do. And not being able to do things kind of pisses me off. Naturally, I have to admire the finished project to want to learn the craft - quilting and embroidery just don't appeal to me, and sewing only vaguely. I am firmly convinced that scrapbooking was invented by some evil genius to destroy all the trees on the planet while convincing crafters they're making something attractive and not at all hideously tacky. But knitting! I was seeing so many fabulous patterns and projects on Ravelry only to be let down when I saw that it was knit and I couldn't get one for myself.

Since conquering the basic knit and purl stitches, I have been utterly fascinated by the wealth of techniques available to knitters. Colorwork, cables, lace, ribbing, twisted stitches, slipped stitches, brioche stitches, entrelac! It was this last one that I had seen often in yarn shops, advertising a particular yarn, or an entrelac class. It looked so complicated and difficult, I was sure that it was something I would only be confident in tackling once I was a very experienced knitter. And then I forgot about it.

But entrelac popped back into my awareness with the introduction of Knit Picks new self-striping yarn "Chroma." Its vibrant colors and long repeats were perfect for an entrelac project, and you know what? I'm a very experienced knitter! Bring it on!

I found a free scarf pattern, chose needles for a slightly looser gauge, and went to town! I made some mods along the way - I abandoned the author's garter stitch selvedge and used a different increase method, but overall, I was thrilled with the pattern. And even more thrilled with the result:


I have been getting compliments everywhere I wear this scarf, and it just makes me want to learn more and more intricate techniques. And I will. Cause, you know, I can do anything!

PS: Entrelac? Not that hard. :P

Sunday, December 5, 2010

Evil Penguins

The teensy sweaters in the post below are part of a multi-project pattern issued by Knit Picks called Snow Day.

Here's the pattern image:



Since uploading the below photos, I've also finished the stripey cardigan (the orange, blue, and white one in the pattern pic). It looks great!

After finishing all the sweaters, I decided to give the penguin a go. I mean, it's freaking adorable. From the moment I cast on, the problems began.

First, you start with the basically ball shaped head. Knitting in the round, starting from very few stitches, sure, I've done this before. But, according to the pattern, you are supposed to do a lifted increase after every stitch in the very first round. This is impossible because THERE IS NOTHING TO LIFT. No matter which cast-on I tried, there was nothing for me to work into to do the Make 1. I had to do a backwards loop increase, which I have never liked because it's so effing hard to work into on the next round, but whatever. Correct stitch count achieved, right? And then I could do the lifted increases the pattern asked for ever subsequent time.

But of course, the problems were not over. The head was worked first in white, then the rest in black, so there was no need to float any color strands. However, once I got to the body, EACH round is part black and part white, so I had to start stranding. As anyone knows who has done colorwork, this immediately doubles the thickness of the finished object. Now, this is a TINY penguin. At its widest point, it's only 26 stitches around of fingering weight yarn on size 2 needles. Having it be this thick meant there was barely any space inside. I could already tell stuffing it was going to be difficult.

Thickness was not the only problem with the stranding. The other, and somewhat less significant problem unless you're rather OCD, is that EVERY time I floated the black strand, it showed up clear as day on the front (white) section of the penguin. I just kept telling myself, eh, this penguin's white section is just flecked with black feathers, sure, no problem, just vary where you do the float so it looks randomish. I could have dealt with that, I suppose, even though the lack of a pristine white section was bugging me.

So, I got the head done, I got the body done. It didn't look too horrible. The pattern is written so that you hold most of the white (belly) stitches of the penguin apart and work some short rows with the black (back) stitches to curve around the bottom for the feet, and graft onto the held stitches. But before you do this, you can take the opportunity to stuff the penguin.

HA HA HA HA HA.

Even with a stuffing tool, I had an incredibly hard time getting any polyfill into the body at all - the opening was just too narrow. Then, once I did manage to cram it in there, I could not, no matter what I tried, get the stuffing through the tiny neck section into the head area. The stuffing merely compacted at the neck and turned into a hard lump. And all this is separate from the fact that with all the uneven stranding I was forced to do, the body is not particularly willing to round itself out properly and keeps bunching in weird places that the stuffing can't even reach.

And all of this is going on in a creature that is roughly one by three inches.

When I realized it was never going to work, I yanked out the now solidified polyfill clump with a crochet hook and started unraveling that evil thing with a vengeance.

Quitting at this point meant that there were still further problems that I had anticipated, but never reached - for example, once you've stuffed it and grafted the toe, you're supposed to do the beak and the eyes. How the HELL was I supposed to tie off or weave in the ends INSIDE the penguin that has already been stuffed and sealed? Even if I hadn't stuffed or sealed it yet, the thickness of it and the narrowness of the neck meant that I couldn't even turn it inside out if I wanted to. Same goes for the wings, which are made separately and then sewn on. Where would the loose ends have gone?

Whoever wrote this pattern, whether it was Nina Isaacson (listed as the author on Ravelry) or some other Knit Picks staff member, clearly didn't think it through very well. I'm not sure how they even got the sample made. I may still attempt to knit a penguin ornament with the same basic shape as the one in the pattern, but I would have to dramatically reconceptualize the construction. For starters, even though I don't really like seaming, I'd have to completely do away with the need for stranding and just work the black and white sections separately and flat, like the pattern instructions tell you to do for the wings, which I never even got to. I would also have to do the eyes and beak BEFORE starting on the rest of the body, and finish and sew on the wings before seaming and stuffing the body.

Maybe... just maybe.

Friday, January 15, 2010

Crochet - Yer Doin' It Wrong

You know, I like being a member of the Crochet Guild of America. Even if it's true that I knit now far more than I crochet, still, I like that sense of belonging. Especially since having been featured in Interweave Crochet's reader's gallery.

But, I cannot help but cringe at what the crocheting ladies of the guild consider to be fashion-forward examples of their illustrious craft. Each Crochet! Magazine (the guild's own publication) that finds its way into my mailbox every other month has me gasping in horror. Why they continue to insist on publishing (and naming as Editor's Choice, no less) the spectacularly tacky works of Tammy Hildebrand is beyond me:


And that photo doesn't even SHOW the "edgy, asymmetrical hem." Seriously, people, it doesn't matter how many times you try to convince us that asymmetrical buttoning is trendy or daring; you will always look like Seymour Krelborn.

Of course, Crochet! Magazine wasn't satisfied with merely one eye-searing masterpiece from Ms. Hildebrand. Oh no. Take a gander at this beauty:


I get good laughs out of my Crochet! Magazine subscription (which, after all, is free with guild dues), but if I actually want to crochet anything out of a magazine and not open myself up to public ridicule and personal mortification, I think I'll wait for my Interweave to show up.